Beatmaking

Beatmaking

RMS

In beatmaking and audio production, RMS stands for "Root Mean Square." It is a statistical measure used to calculate the...
Beatmaking

MIDI Track

In beatmaking, a MIDI track is a digital representation of musical notes and performance data that can be used to contro...
Beatmaking

LUFS

LUFS, or Loudness Units Full Scale, is a standard measurement used to quantify the perceived loudness of audio. It is pa...
Beatmaking

Double Tracking

Double tracking in beatmaking is a production technique where a musician records the same part twice and layers the two ...
Beatmaking

High Pass Filter

In beatmaking and music production, a high-pass filter (HPF) is an essential audio processing tool used to shape the fre...
Beatmaking

Early Reflection

In beatmaking and music production, "early reflections" refer to the initial sound reflections that occur shortly after ...
Beatmaking

Low-Pass Filter

In beatmaking and music production, a low-pass filter (often abbreviated as "lo-pass filter") is an essential tool used ...
Beatmaking

Headroom

In beatmaking, "headroom" refers to the amount of space available between the peak levels of your audio signal and the m...
Beatmaking

Pitch Shift

In beatmaking, pitch shifting refers to the process of altering the pitch of an audio signal, such as a sample or instru...
Beatmaking

Slope

In beatmaking, "slope" typically refers to the steepness or curve of a filter's frequency response. Filters are used to ...