Tag: sampling

  • Choosing Drum Samples in Beatmaking: Comparing Drum Libraries, Vinyl Samples, and Drum Breaks

    Choosing Drum Samples in Beatmaking: Comparing Drum Libraries, Vinyl Samples, and Drum Breaks

    Selecting drum sounds is a crucial element in music production. Understanding the characteristics of each type can lead to more effective beat creation.

    Drum Libraries (Drum Kits)

    Advantages:

    • Diversity: Obtain various types of drum sounds in one package
    • Consistency: Sounds within the same kit are harmonious with each other
    • Customizability: Ability to adjust each part individually
    • Ease of use: Often integrated into DAWs, making operation simple
    • Tuning: Usually pre-tuned and ready for immediate use

    Disadvantages:

    • Memory consumption: Large libraries can consume computer resources
    • Excessive options: Too many choices may hinder creativity
    • Lack of uniqueness: Many producers may use the same libraries
    • Uniformity in tuning: Pre-tuned nature may require additional work to create unique tones

    Vinyl Drum Samples

    Advantages:

    • Unique tones: Obtain analog-specific warmth and distortion
    • Authentic atmosphere: Suitable for recreating older music genres
    • Creative possibilities: Utilize techniques like sampling and chopping
    • Tuning diversity: May include tuning from various eras and musical styles

    Disadvantages:

    • Limited sound quality: May lack clarity compared to digital recordings
    • Difficulty in processing: Editing can be challenging depending on the original recording condition
    • Copyright issues: Attention to rights is necessary when using
    • Tuning uncertainty: Original recording’s tuning may be unclear or unstable

    Drum Breaks

    Advantages:

    • Instant atmosphere: Ready-to-use rhythmic patterns with groove
    • Historical value: Incorporate the appeal of famous songs by using their breaks
    • Layering possibilities: Create unique sounds by combining with other elements
    • Natural tuning: Expect natural tuning as they are taken from actual performances

    Disadvantages:

    • Lack of originality: Using as-is may result in a lack of uniqueness
    • Legal risks: Using uncleared samples may cause issues
    • Limited flexibility: Possibility of being constrained by existing patterns
    • Fixed tuning: Changing the tuning of the original recording can be difficult

    Summary

    From a tuning perspective, drum libraries are generally easy to use and ready for immediate use, but may require additional work to achieve uniqueness.

    Vinyl drum samples may include diverse tuning, but this can also lead to uncertainty.

    Drum breaks can be expected to have natural tuning, but changing it might be challenging.

    Understanding these characteristics and making appropriate choices or combinations based on the requirements of the music can lead to more effective and appealing beat creation.

  • The Basics of Audio: Sampling Rate, Bit Depth, and Bitrate

    The Basics of Audio: Sampling Rate, Bit Depth, and Bitrate

    Introduction

    Audio, as the name suggests, refers to “sound.” In the digital world, sound information is stored as audio files. There are various formats for audio files, such as WAV, AIFF, FLAC, ALAC, MP3, and AAC.

    Audio Basics

    AD Conversion (Analog to Digital Conversion)

    The process of converting and saving analog sound to digital format is called sampling or AD conversion. When converting to digital format, the analog waveform is read and replaced with 0s and 1s.

    DA Conversion (Digital to Analog Conversion)

    To listen to digital audio, it needs to be converted back to analog format. This process is called DA conversion. The sound you hear from speakers or headphones is the sound converted from digital to analog.

    What is Sampling Rate?

    Sampling rate is the number of times per second that an analog signal is converted (sampled) to digital data. The unit used is Hz (Hertz). The CD format has a sampling rate of 44.1kHz, which means it samples the audio 44,100 times per second.

    What is Bit Depth?

    Bit depth represents the number of levels used to reproduce the sound volume from silence to maximum volume. The CD format uses 16 bits, which means it can represent 65,536 levels of volume difference. The higher the bit depth, the more precisely the volume can be represented.

    The Difference Between 16-bit and 24-bit

    The difference between 16-bit and 24-bit may not be noticeable for loud music, but it can be perceived for very quiet sounds. 24-bit can represent small volume changes more precisely than 16-bit.

    The Relationship Between Bit Depth and Dynamic Range

    The human ear is said to have the ability to hear a dynamic range of 120dB. 16-bit can represent a dynamic range of 96dB, while 24-bit can represent 144dB. For music with drastic volume differences, such as classical music, 24-bit is more suitable.

    Calculating Bitrate

    Bitrate can be calculated by multiplying the sampling rate by the bit depth and the number of channels. The bitrate of a CD-format WAV file is 1411.2kbps.

    The Present and Future of Audio

    Currently, 96kHz/24-bit audio is popular in the DTM (Desktop Music) world. While this provides very high sound quality, it also has the disadvantage of larger file sizes. Depending on the music genre, 44.1kHz/16-bit may be sufficient.

  • Causes of Fatigue in Beatmaking and How to Cope

    Causes of Fatigue in Beatmaking and How to Cope

    While beatmaking is enjoyable, there may be times when you feel tired. In such moments, it’s important to take a step back and rest. Here, we’ll introduce the causes of fatigue in beatmaking and how to cope when you’re tired.

    6 Reasons for Getting Tired of Beatmaking

    Not understanding how to use the DAW

    • There are too many functions, and you don’t know where to start
    • Even after reading the manual, you can’t keep up with the understanding
    • It takes too much time to learn the operation methods
    • The settings are complicated, and you can’t get the sound you want
    • The operation method changes with updates, and you have to relearn from scratch

    Making music becomes painful

    • Music production, which should be fun, becomes a sense of obligation
    • Ideas don’t come to mind, and composition doesn’t progress
    • Becoming a perfectionist, getting too caught up in the details, and getting tired
    • Lack of confidence in your own work, and motivation doesn’t increase
    • Feeling pressured by deadlines

    Even if you work hard to create, it’s not heard

    • The beats you spent time creating don’t get many plays
    • There is little feedback from listeners
    • Even if you do promotions, the effects are slow to appear
    • Only the works of other beatmakers get attention
    • Feeling that your own musicality is not understood

    Little to no revenue

    • Even if you sell beats, they don’t sell well
    • Even if you provide beats for free, it doesn’t lead to money
    • No offers from sponsors or advertisers
    • The costs of music activities exceed the income
    • Don’t know how to monetize

    Comparing yourself to others

    • Listening to the works of other beatmakers and feeling that your own works are inferior
    • Comparing yourself to others in terms of follower numbers and play counts
    • Concerned about the success of beatmakers in the same genre
    • Feeling impatient when hearing about other people’s success stories
    • Feeling down after seeing the activities of other beatmakers on social media

    Can’t think of what to create

    • Running out of ideas and not coming up with new beat ideas
    • Can’t find materials to sample
    • Beats start to sound the same
    • Can’t establish your own style and get lost in direction
    • Difficult to adapt to new genres and trends

    Reasons why it’s okay to rest when you’re tired of beatmaking

    Because being tired is a sign that you should stop

    • Fatigue is a sign that your mind and body need rest
    • If you keep pushing yourself, you might burn out
    • Temporary breaks are essential for continuing long-term activities
    • By resting when you feel tired, you can maintain motivation
    • Taking a break may lead to new ideas and inspiration

    Because the number of views doesn’t change much even if you rest

    • Even if you take a break from beatmaking, the works you’ve already uploaded will continue to be listened to
    • The number of listeners won’t decrease significantly with a temporary hiatus
    • As long as you regularly upload new works, it’s not a problem to take a break
    • Creating high-quality works leads to maintaining long-term views
    • It’s more important to rest and maintain quality than to forcibly increase the frequency of updates

    Because SEO ratings change even while you’re resting

    • SEO on Google and other platforms is evaluated based on various factors, not just update frequency
    • Even while you’re resting, existing works continue to be evaluated by SEO
    • Even if you take a break from beatmaking, you can still work on SEO by updating your blog or social media
    • During the break period, it’s also effective to review titles and descriptions suitable for SEO
    • A temporary hiatus won’t significantly lower your SEO rating

    Other reasons why it’s okay to rest

    • You can cherish time with family and friends
    • You can allocate time to other hobbies and activities
    • By taking care of your health, you can prevent illness
    • You can relieve stress and maintain mental health
    • It’s a good opportunity to reflect on your own musicality

    When you feel tired of beatmaking, it’s important to rest without pushing yourself. By taking a break, you can gain new energy and create better works. There’s no need to feel guilty about resting. Let’s continue beatmaking at our own pace while enjoying it.

    6 things to do when you’re tired of beatmaking

    Step away from your computer or smartphone

    • Enjoy a walk or hike in nature
    • Exercise or play sports to move your body
    • Enjoy conversations with friends and family, or go out together
    • Immerse yourself in hobbies other than music, such as reading or watching movies
    • Calm your mind with meditation or yoga

    Review the genre of beats and the image of listeners

    • Reconfirm the genre of beats you want to create
    • Research listeners’ needs and preferences, and clarify your target
    • Incorporate elements from other genres and explore new musicality
    • Choose a genre that can leverage your strengths and characteristics
    • Think of ways to bring out originality, not just follow trends

    Take an objective look at your current music

    • Listen to your own works again and find strengths and areas for improvement
    • Seek feedback from others and listen to objective opinions
    • Compare with past works and confirm growth and changes
    • Try to verbalize your own musicality and style
    • Consider ways to leverage the strengths of your works and overcome weaknesses

    Look for beat ideas that only you can create

    • Find unique ideas from your own experiences and emotions
    • Get inspiration from other genres and cultures
    • Collect sound ideas in everyday life
    • Generate new ideas through collaboration
    • Come up with stories or concepts that match the beats

    Read blogs of beatmakers you admire

    • Learn about the production process and mindset of beatmakers you respect
    • Refer to how they use equipment and software, and their techniques
    • Gain insights into music industry trends and tips for success
    • Compare with your own musicality and find the direction you should aim for
    • Consider your career plan as a beatmaker

    Learn the raw voices of readers through Q&A sites and social media

    • Understand the styles and trends of beats that listeners are looking for
    • Know the reactions and evaluations of your own works
    • Communicate with listeners and deepen bonds with fans
    • Connect with other beatmakers and exchange information
    • Learn the latest information in the music industry and promotion methods

    When you’re tired, it’s important to distance yourself a bit from beatmaking. During that time, by reflecting on your own musicality, exploring new ideas, and understanding listeners’ needs, you can lead to creating better works. You can also regain motivation by learning from beatmakers you admire and deepening exchanges with others. When you feel tired, take a positive break and approach beatmaking with a fresh mindset.

    NG actions not to do when you’re tired of beatmaking

    Making half-hearted beats

    • Mass-producing low-quality beats
    • Overusing sampling and loops too easily
    • Relying too much on effects and presets
    • Not paying attention to details and making sloppy productions
    • Releasing works that cannot satisfy listeners

    Deleting blogs, websites, or social media

    • Cutting off the connections with fans that you’ve built up
    • Losing past works and profiles, erasing the record of your activities
    • Having to start from scratch again when you resume
    • Losing the place for music activities and not being able to communicate with listeners
    • Considering options such as temporary private or suspended status before deleting

    Thinking of making easy money even if it means paying a lot

    • Getting into expensive equipment and software, taking on financial burdens
    • Pursuing only monetary profits rather than improving music production skills
    • Risk of getting involved in fraudulent businesses
    • Prioritizing mass production at the expense of quality
    • Losing the original joy and pleasure of music production

    Other NG actions

    • Completely escaping from music production and doing nothing
    • Plagiarizing or copying other beatmakers’ works
    • Putting too much negative emotion into music, making only dark works
    • Worrying too much about criticism and negative comments from listeners
    • Losing sight of your own musicality and only chasing other people’s opinions

    When you’re tired of beatmaking, it’s important to take a break without lowering the quality. Avoid taking shortcuts or deleting your places of activity. Also, trying to solve problems with money is dangerous. When you feel tired, take a temporary break to refresh and reflect on your own musicality. It’s important not to be too swayed by negative emotions and to approach music production with a positive attitude. While taking listeners’ opinions into consideration, it’s crucial to have your own beliefs and create original works.

    Summary

    When you feel tired of beatmaking, it’s important to rest without overdoing it. While resting, thinking about beatmaking and gathering information may lead to new ideas. It’s NG to take shortcuts or delete blogs and social media just because you’re tired. Take a temporary break, refresh, and then work hard again. The best way to continue beatmaking is to enjoy it. When you feel tired, take a good rest and make beats again with energy!

  • What Beginner Beatmakers Should Focus on First

    What Beginner Beatmakers Should Focus on First

    Introduction

    If you are new to beatmaking, you may be unsure where to start. This article will explain the key points that beginners should focus on when they first start making beats.

    Decide on the musical direction and theme

    First, it’s important to decide what genre of music you want to create and what theme you want to pursue in your work. This will help define the direction of your music production and make the process smoother.

    Mindset to keep in mind when first publishing your beats

    When publishing your beats, it’s important to keep the following points in mind:

    Don’t worry about perfection

    As a beginner, it’s crucial not to get too caught up in achieving perfection. In the beginning, it will be difficult to create works that match your ideal vision due to technical inexperience. However, if you become too concerned with perfection, you may never finish your work, which defeats the purpose. First, aim to complete your work in your own way.

    Don’t worry about sound quality

    While using high-quality sound sources is important, beginners don’t need to obsess over sound quality. You don’t need the latest equipment or software. What matters is creating music with the equipment and software you have available. As your skills improve, the sound quality will gradually improve as well.

    Don’t worry about structure

    The structure of a beat is an important element in captivating listeners, but beginners don’t need to be overly concerned with it. First, try creating works with your own structure. As you create more music, you will gradually understand the importance of structure.

    Don’t worry too much about the quality of individual tracks

    The quality of the individual tracks that make up a beat greatly affects the overall quality of the work. However, beginners don’t need to be overly concerned with the quality of each track. First, focus on creating tracks in your own way. As your skills improve, the quality of the tracks will gradually improve as well.

    Don’t worry about view counts

    As a beginner, you don’t need to be overly concerned with view counts. First, focus on creating your own works. As the quality of your work improves, the view counts will gradually increase. If you become too concerned with view counts, you may neglect the actual creation of your music, which defeats the purpose.

    Don’t worry about SEO

    SEO is an important factor in getting your work out to many people, but beginners don’t need to be overly concerned with it. First, focus on creating your own works. You can think about SEO once your work is mostly complete. If you become too concerned with SEO, you may neglect the actual creation of your music, which defeats the purpose.

    As a beginner, instead of seeking perfection, focus on creating your own works first.

    Two things to do after making a beat

    After making a beat, do the following two things:

    Listen to it “twice” after making it, using a different device or speakers.

    After finishing a beat, it’s natural to check it with your own ears, but that alone is not enough. To objectively evaluate your work, make sure to listen to it at least twice.

    Listen to it on a different device

    By listening to your work on different equipment than the speakers or headphones you used for production, you may find that the impression of the work changes. By checking your work in the environments where listeners typically listen to music, such as smartphones or car audio systems, you can assess the completeness of your work.

    Listen to it after some time has passed

    Immediately after production, you may have a strong attachment to your work, making it difficult to evaluate objectively. By stepping away from the work and listening to it again after some time has passed, you may discover new insights or ideas.

    Seek feedback

    There may be areas for improvement that are difficult to notice on your own. By having trusted friends or mentors listen to your work and provide feedback, you can improve the quality of your work.

    Start working on the next beat

    After finishing a beat, start working on the next one.

    To improve your skills

    Your beatmaking skills will improve with each piece you create. In your next work, aim for even greater heights by utilizing the experience gained from your previous work.

    To maintain motivation

    To continue beatmaking, it’s important to maintain motivation. By starting the next work, you create a new goal and can maintain motivation.

    To expand your ideas

    In beatmaking, ideas are important. In your next work, try a different approach than before. By incorporating new ideas, you can expand your possibilities.

    Objectively evaluating your work and applying it to your next creation is essential for improving your beatmaking skills. With each piece you create, you should be able to feel your own growth.

    It’s important to objectively evaluate your own work and apply it to your next creation.

    7 points to keep in mind as you become more experienced

    As you become more familiar with beatmaking, keep the following 7 points in mind:

    Specifically envision what kind of users will listen

    When making beats, it’s important to specifically envision what kind of users will listen. Consider age group, gender, preferred genres, lifestyle, etc., and clarify the target listener profile. This allows you to create beats that suit the listeners’ preferences. For example, if targeting teenage girls, incorporating trendy pop and catchy beats may be effective. On the other hand, if targeting men in their 30s, more mature sounds like hip-hop or R&B might be preferred.

    Be aware of listeners’ questions/problems and how to solve them

    Aim to solve listeners’ questions or problems through your beats. For example, providing beats that match listeners’ needs, such as wanting to relax, feel energized, or increase concentration, will make your beats more beloved by many. To solve listeners’ questions or problems, you need to adjust elements like the beat’s tempo, tone, and atmosphere. You can cater to listeners’ needs by adjusting beat elements, such as using a slow tempo and acoustic tones to enhance relaxation, or uptempo and energetic beats to boost energy.

    Create the beat structure

    Considering the structure of the beat is important to avoid boring the listener. Create a structure with each part of the beat in mind, such as intro, verse, chorus, bridge, and outro. Also, adding variation to the beat’s development can draw in the listener. It’s important to create a structure while considering the flow of the beat, such as building excitement in the hook, changing the rhythm in the break, and leaving an afterglow in the ending.

    Come up with an interesting title

    The title of the beat is an important element to attract listeners’ interest. Consider titles that not only express the beat’s atmosphere but also appeal to listeners’ emotions. For example, the title “Midnight Groove” evokes a moody late-night atmosphere. The title “Sunrise Melody” gives a positive and bright image, like the rising morning sun. By giving titles that stimulate listeners’ emotions, you can increase interest in the beat.

    Be mindful of the beat’s catchiness

    The catchiness of the beat is an important factor for staying in listeners’ memory. You can increase the catchiness of the beat by incorporating memorable melodies, rhythm patterns, hooks, etc. Simplicity is also important. Overly complex beats are harder to remember. Repeat simple and impressive phrases to increase the beat’s catchiness.

    Consider monetization

    Consider monetizing your beatmaking, not just as a hobby. There are various ways to monetize, such as selling beats, providing licenses, and producing. When considering monetization, be careful with copyright management. Manage sound sources appropriately by obtaining permission to use sampling materials, using copyright-free sound sources, or creating original sound sources.

    Register your site with Google Analytics and Google Search Console

    When creating a website to publish your beats, register it with Google Analytics and Google Search Console. Using these tools, you can analyze site views, traffic sources, search keywords, etc. Based on the analysis results, find areas for improvement on the site, implement SEO measures, and deliver your beats to more listeners. Also, understanding listener attributes and preferences can lead to creating beats that match your target audience.

    By keeping these 7 points in mind when making beats, you can create beats that are loved by listeners. Standing in the listeners’ perspective and improving the quality of your beats will lead to your growth as a beatmaker.

    By being mindful of these points, you can deliver your work to more listeners.

    Summary

    The first thing beginners should focus on in beatmaking is not seeking perfection. First, concentrate on creating works and gradually hone your skills. As you become more experienced, it’s important to create works with listeners in mind.

    If you’re interested in beatmaking, definitely give it a try. It may feel difficult at first, but by steadily creating works, your skills will surely improve. The important thing is to start casually.

  • The Diversity of Production as a Beatmaker: Escaping the Similar Tune

    The Diversity of Production as a Beatmaker: Escaping the Similar Tune

    For beatmakers looking to break out of creating similar-sounding tracks, leveraging AI music generation to explore new musical genres could be an effective approach.

    Recent AI music generation models are highly advanced and can create original music tailored to user-specified genres and moods. For example, a hip-hop beatmaker could have the AI incorporate elements of jazz, electronica, world music, etc. into a track.

    By referencing the unexpected chord progressions, rhythm patterns, and timbres generated by the AI, you may uncover ideas that you wouldn’t have thought of on your own. While still an emerging technology, AI music generation is a noteworthy new approach for stimulating a beatmaker’s creativity.

    To come up with innovative musical styles, I highly recommend experimenting with collaborating with AI. Ultimately, the key is to take the inspiration from what the AI generates and add your own unique arrangements and touches. By trying out different ways of utilizing AI and continuing to develop your own artistic identity and originality as a beatmaker, you can take your music in exciting new directions.

  • I’m a beatmaker. How can I make cool beats?

    I’m a beatmaker. How can I make cool beats?

    Creating a cool beat involves various elements. Below are some points and techniques to consider.

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  • Understanding Stem Splitters and Artifacts

    Understanding Stem Splitters and Artifacts

    Stem splitters are AI-based tools that separate vocals, drums, bass, and other instruments from a song’s mix, resulting in individual stem tracks that can be used for remixing and sampling. However, the separation process is not perfect, and it’s common for the stems to have artifacts—unwanted noise or distortions.

    Artifacts can include audio degradation, frequency loss, and unnatural digital noise. These can diminish the sound quality of the stems, making them difficult to use in production. Artifacts are particularly noticeable in vocal stems, distracting listeners and breaking immersion.

    Adding Noise to Mask Artifacts

    One effective way to mask artifacts is by adding noise to the stems. This not only conceals the artifacts but can also be a creative technique to give the stems a lo-fi or grungy sound. By adding the right type and level of noise, you can blend the stems seamlessly into your beat and introduce a more organic, analog texture.

    Types of noise include white noise, pink noise, brown noise, vinyl crackle, and tape hiss. Each has different frequency characteristics, resulting in different masking effects and aesthetic qualities. For example, white noise covers all frequencies evenly, making it suitable for masking a wide range of artifacts. Pink noise, on the other hand, emphasizes lower frequencies, making it effective for masking vocal stems.

    How to Add Noise

    Noise can be generated using samplers, synthesizers, or noise generator plugins. Many DAWs have built-in tools for generating and adjusting noise. You can also load noise samples into an audio track and play them alongside your stems.

    It’s important to adjust the amount and balance of the noise. Too little noise won’t sufficiently mask the artifacts, while too much noise will obscure the clarity of the stems and muddy the overall mix. A good starting point is to add noise at a level of -12dB to -18dB relative to the volume of the stem, then fine-tune by ear.

    Equalization can also be used to match the frequency balance of the noise to the stem. For example, if a vocal stem has artifacts in the high frequencies, boosting the high frequencies of the noise can provide more effective masking. Conversely, cutting the low frequencies of the noise can help maintain the clarity of the vocals.

    Other Considerations

    While adding noise can help mask artifacts, it’s not a universal solution. If the quality of the stem is very poor, noise alone may not be sufficient. In these cases, it may need to be combined with other mixing techniques, such as EQ and dynamics processing. For example, cutting the frequency ranges that contain artifacts with an EQ before adding noise can yield a more natural result.

    Also, the addition of noise should be appropriate for the genre and mood of the track. In lo-fi hip hop or experimental electronica, noise can be a welcome creative element. However, in cleaner, more polished genres like pop or R&B, noise may be less desirable. Always consider the context and evaluate whether the noise fits the overall sound and vision of the track.

    Conclusion

    Stem splitters are powerful tools for beatmakers and producers, but artifacts are a common occurrence. Adding noise is an effective way to mask these unwanted byproducts and integrate the stems seamlessly into your beat. Experiment with different types of noise, such as white noise, pink noise, or vinyl crackle, to find what works best for the mood and genre of your track. Carefully adjust the level and balance of the noise while listening to your stems, and combine with other mixing techniques for even better results. Beyond just concealing artifacts, noise can also be a creative tool to add depth and texture to your beats. Experiment and find your own unique sound.

  • I have a Lofi hiphop beat, but it’s too clean. How can I make it sound like a Lofi hiphop beat?

    I have a Lofi hiphop beat, but it’s too clean. How can I make it sound like a Lofi hiphop beat?

    I totally get it! Lofi hip hop is all about that warm, fuzzy, and nostalgic vibe. To give your beat a more lofi hip hop feel, try these techniques to add some dirt and character:

    1. Add tape hiss: Use a tape hiss plugin or add a subtle noise floor to your track. This will give your beat a warm, analog feel.
    2. Distort the drums: Use a distortion pedal or plugin to add grit and crunch to your drums. This will help them sound more like they’re coming from an old cassette tape.
    3. Warm up the bass: Use a bass amp simulator or a warm EQ to give your bass a more vintage, rounded sound.
    4. Add vinyl crackle: Use a vinyl crackle plugin or add a subtle crackling noise to your track. This will give your beat a nostalgic, sampled-from-vinyl feel.
    5. Use nostalgic drum sounds: Replace your modern drum sounds with more retro-inspired ones. Think 808s, 909s, or sample-based drum kits.
    6. Add some warmth with tube saturation: Use a tube saturation plugin to add a warm, analog character to your sound.
    7. Experiment with bit-crushing: Use a bit-crusher plugin to reduce the bit depth and sample rate of your audio, giving it a more lofi, retro feel.
    8. Use a lofi hip hop drum pattern: Change up your drum pattern to something more laid-back and jazzy, with a focus on snares on the 2nd and 4th beats.
    9. Add some ambient pads: Use ambient pads or textures to add depth and atmosphere to your track. Think warm, fuzzy synth sounds.
    10. Limit and compress: Use a limiter and compressor to squash your dynamics and give your track a more cohesive, relaxed feel.
    11. Try a different drum processing chain: Experiment with different drum processing techniques, such as parallel compression, transient design, or using a drum buss compressor.
    12. Add some imperfections: Intentionally add some subtle imperfections, like timing errors or slight pitch variations, to give your track a more human, lofi feel.
    13. Use a different EQ approach: Focus on boosting the low end and high end, while cutting the midrange, to create a more warm and balanced sound.
    14. Add some ambiance with reverb: Use a plate or room reverb to add ambiance and depth to your track.
    15. Experiment with different sampling rates: Try rendering your track at different sampling rates, like 44.1 kHz or 48 kHz, to see if it gives you a more lofi sound.

    Remember, the key to creating a lofi hip hop sound is to experiment and find the right balance of warmth, grit, and character. Don’t be afraid to try new things and make mistakes – it’s all part of the process!

  • Why Beatmakers Lose Interest: When There’s No More Challenge

    Why Beatmakers Lose Interest: When There’s No More Challenge

    Beatmaking is a field within music production that demands a high level of creativity and technical skill. However, after years of creating beats, there may come a point where producers start to feel bored. The main reason for this is when there are no more challenges to tackle.

    1. Repetition of the Same Patterns

    In beatmaking, it’s important to establish your own style and genre. However, once you become accustomed to repeating the same patterns, the freshness is lost, and your passion for production begins to fade. The key to preventing boredom is to constantly incorporate new ideas and continue to push your limits.

    2. Stagnation in Technical Growth

    Beatmaking requires a wide range of technical skills, including sampling, synthesizer programming, and mixing. However, after reaching a certain level, if you don’t put in the effort to further your technical growth, the production process can become monotonous. Learning new techniques and tools can help maintain your motivation for production.

    3. Depletion of Creativity

    Beatmaking is a task that demands creativity. Producing new sounds and innovative arrangements is crucial to captivating listeners. However, after a long period of continuous production, ideas can run dry, and creativity can be lost. In such times, it’s effective to seek inspiration by listening to music from other genres or spending time in nature.

    4. Loss of Goals

    When you first started making beats, you likely had clear goals in mind. Perhaps you wanted your work to be heard by many people or to collaborate with famous artists. However, as time passes, it’s easy to lose sight of those goals. When you lose sight of your objectives, your motivation for production decreases, and you become more prone to boredom. It’s important to regularly review your goals and set new ones.

    5. Lack of Community Interaction

    Beatmaking is a solitary task, but connecting with like-minded individuals can help maintain your motivation. Participating in online communities and events and deepening relationships with other producers can provide new ideas and stimulation. When you feel bored with your solitary production activities, it’s recommended to actively engage with the community.

    Feeling bored with beatmaking may be an inevitable problem when producing for a long time. However, by constantly seeking new challenges, aiming for technical growth, stimulating creativity, having clear goals, and connecting with the community, you can overcome boredom and continue to enjoy beatmaking. The important thing is to never lose your passion. As long as you maintain your love for beatmaking, boredom is only temporary. Why not take on new challenges and dive into production today?

  • I feel like there’s an oversupply of beatmakers. In such a world, are there any niches where supply hasn’t caught up?

    I feel like there’s an oversupply of beatmakers. In such a world, are there any niches where supply hasn’t caught up?


    In the music industry, especially for beatmakers, it can indeed feel like there’s an oversupply. However, it’s still possible to find niche markets or areas where supply hasn’t yet met demand. Let’s explore some approaches:

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