Tag: Beatmaking Tips

Koala Sampler is a music production app for iOS that allows users to chop samples and create music. One of the features of Koala Sampler is the “choke” function. The choke function allows sounds that are grouped together to cut off each other when triggered. This is useful for creating music with instruments like high hats, where you don’t want multiple sounds to play at the same time. The choke function is also sometimes referred to as “choke groups”.

Sound pressure is an important element in audio editing tasks such as recording, mixing, and mastering. If the sound pressure is too high, distortion (clipping) occurs, making the sound distorted. On the other hand, if the sound pressure is too low, noise becomes prominent and the power of the music diminishes. Below are some basic methods for determining the appropriate sound pressure.

To correct the BPM (Beats Per Minute) of music recorded on a cassette tape recorder, you will need to follow the steps below:

Applying a high-pass filter to the master track can reduce ultra-low frequencies, increasing headroom and preventing wasted energy. These frequencies, often inaudible, can cause unnecessary speaker movement, but cutting them entirely may compromise the punch in genres like electronic or hip-hop music. High-end systems and club setups can reproduce these lows, making their absence noticeable.

It’s crucial to carefully choose the cut-off frequency and slope, balancing clarity with maintaining musical impact. Instead of applying a high-pass filter during mastering, consider using it in the mixing phase for better control over individual tracks. While effective, this approach requires discretion to enhance the listener’s experience without sacrificing essential bass elements.

There are several ways to increase sound pressure. Mainly, the following methods are available:

When the kick is buried in the mix, try these approaches:

1. EQ: Reduce competing instruments in the kick’s frequency range, especially in the low end, to make space.
2. Sidechain Compression: Use sidechain compression to lower the volume of other tracks (e.g., bass) when the kick hits.
3. Level Adjustment: Carefully adjust the kick or other instruments’ volume to achieve balance.
4. Sample Selection: Swap the kick sample or modify its synthesis if it doesn’t fit.
5. Transient Designer: Enhance the kick’s attack and reduce sustain for more presence.
6. Frequency Boost: Identify and boost the kick’s most impactful frequency with EQ.

Always consider the overall mix balance when applying these techniques.

To create drums that are dry yet have presence, consider the following techniques and approaches:

Creating a hip-hop beat can be a highly creative process and there are various approaches to it. Below are the basic steps to guide you.

Yes, the MacBook Air is highly suitable for music production, especially for track-making. Its fast processor and efficient RAM management allow it to handle multiple audio and MIDI tracks simultaneously.

This is indeed an unfortunate situation. Data loss is stressful and can sometimes have a significant impact.