Tag: IMRO

  • I signed up with IMRO via BeatStars publishing. If I register beats on BeatStars publishing, what is the cut of IMRO and BeatStars publishing?

    I signed up with IMRO via BeatStars publishing. If I register beats on BeatStars publishing, what is the cut of IMRO and BeatStars publishing?

    Here is the breakdown of your writer’s share and publisher’s share based on the terms of BeatStars Publishing:

    Writer’s Share

    • Mechanical Royalties: 80%
    • Writer’s Performance Royalties: 100%
    • Publisher’s Performance Royalties: 60%
    • Sync Licensing:
      • Standard Syncs: 80%
      • Syncs sourced by BeatStars/Sony Music Publishing: 65%

    Publisher’s Share (Collected by BeatStars/Sony Music Publishing)

    • Mechanical Royalties: 20%
    • Publisher’s Performance Royalties: 40%
    • Sync Licensing:
      • Standard Syncs: 20%
      • Syncs sourced by BeatStars/Sony Music Publishing: 35%

    Key Notes

    1. Your PRO (e.g., IMRO) collects the writer’s share of performance royalties (100%) directly and transfers them to you.
    2. BeatStars Publishing collects the publisher’s share of all royalties as per the splits above.
    3. You retain 100% ownership of your compositions, and these splits only apply to royalty distribution, not ownership.

    This structure ensures you receive both your writer’s and publisher’s shares, with BeatStars administering the publisher’s side.

  • What is the difference between simply registering to PROs (ASCAP, BMI, IMRO) and using Beatstars Publishing?

    What is the difference between simply registering to PROs (ASCAP, BMI, IMRO) and using Beatstars Publishing?

    The difference between simply registering with a Performing Rights Organization (PRO) like ASCAP, BMI, or IMRO and using BeatStars Publishing lies in the scope of services, royalty collection, and administrative responsibilities. Here’s a detailed comparison:

    1. Scope of Services

    • PROs (ASCAP, BMI, IMRO):
      • PROs collect performance royalties for public performances of your music (e.g., radio, streaming, live events).
      • They do not handle other types of royalties, such as mechanical royalties (from sales/streams), sync licensing, or global collections beyond their affiliated networks.
      • You are responsible for manually registering your works and managing other royalty streams independently.
    • BeatStars Publishing:
      • BeatStars Publishing provides comprehensive publishing administration in partnership with Sony Music Publishing.
      • It collects both performance royalties (via PROs) and mechanical royalties globally.
      • The platform also offers sync licensing opportunities and centralized management for all royalty streams.
      • While you must manually add songs to BeatStars Publishing for registration, they handle the subsequent registrations with PROs and other global collection societies.

    2. Royalty Collection

    • PROs:
      • Collect only performance royalties (split into a writer’s share and publisher’s share).
      • You receive 100% of your writer’s share directly and the publisher’s share if you own it or have an associated publishing entity.
    • BeatStars Publishing:
      • Collects performance royalties (via PROs) and mechanical royalties from platforms like Spotify, Apple Music, etc.
      • Retains a portion of certain royalties:
        • Mechanical Royalties: You receive 80%.
        • Performance Publisher’s Share: You receive 60%.
        • Performance Writer’s Share: You retain 100%.
        • Sync Licensing: You receive 65–80%, depending on whether BeatStars sources the placement.

    3. Administrative Effort

    • PROs:
      • You must manually register each song with the PRO to ensure royalties are collected.
      • For global collections or mechanical royalties, you need additional administrators or services.
    • BeatStars Publishing:
      • Handles global registrations with PROs and other collection societies after you submit your songs to their system.
      • Simplifies the process by consolidating multiple royalty streams into one platform.

    4. Exclusivity

    • PROs:
      • Registering with a PRO is non-exclusive. You can work with other administrators or publishers for additional services. (It means that affiliating with a PRO like ASCAP, BMI, or IMRO does not prevent you from licensing or exploiting your works in other ways. Specifically:
      • You retain control over your works: You can directly license your music to others, such as film producers or advertisers, without going through the PRO.
      • You can work with other entities: For example, you can engage publishers, administrators, or sync licensing companies to manage other aspects of your music rights.
      • However, this does not mean you can register the same work with multiple PROs simultaneously. Each work can only be registered with one PRO at a time because they are responsible for collecting performance royalties for that work in their territory. Non-exclusivity refers to the flexibility in how you manage and license your rights outside of the PRO’s scope.)
    • BeatStars Publishing:
      • Requires an exclusive administration agreement during the term. All your songs are administered by BeatStars/Sony Music Publishing while under contract. (Under the BeatStars Publishing exclusive administration agreement, only the songs you register with BeatStars Publishing are administered by them and Sony Music Publishing during the term of the contract. Your past and future songs will not automatically fall under their administration unless you explicitly register those songs with BeatStars Publishing. This exclusivity applies only to the songs you choose to submit and register through their platform.)

    5. Additional Features

    • PROs:
      • Focus solely on collecting performance royalties.
      • Offer no additional services like sync placements or comprehensive publishing administration.
    • BeatStars Publishing:
      • Provides opportunities for sync placements and collaboration with artists through its platform.
      • Offers centralized management of all publishing-related income streams.

    Summary:

    If you only need performance royalty collection and want full control over your works without sharing revenue, registering directly with a PRO is sufficient. However, if you want a more hands-off approach to managing global royalties (performance + mechanical) and access to additional opportunities like sync placements, BeatStars Publishing is a more comprehensive solution—though it comes at the cost of exclusivity and reduced earnings from certain revenue streams.

    Point me out if I am wrong in any areas.

  • Question about IPI/CAE Number

    Question about IPI/CAE Number
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    I am a member of IMRO through BeatStars Publishing. Now, I want to start a new artist name. For the new artist name, can I use the same IPI number as my existing one, or do I have to register again and create a new one?

    You can use the same IPI (Interested Party Information) number for your new artist name as long as the new name is registered as a pseudonym or alias under your existing account with IMRO or your PRO. The IPI number uniquely identifies you as a rights holder, regardless of the number of pseudonyms or artist names you use. All royalties associated with any of your artist names will be linked to the same IPI number, provided they are properly registered under your account.

    If you wish to use a separate IPI number for the new artist name, this would require registering it as a distinct legal identity with your PRO, which is generally unnecessary unless there are specific legal or business reasons to do so. To avoid confusion, ensure that all works under the new artist name are associated with your existing IPI number when registering them with IMRO or BeatStars Publishing.

  • What does IMRO have to do with BeatStars publishing when BeatStars publishing is backed by Sony Music Publishing?

    What does IMRO have to do with BeatStars publishing when BeatStars publishing is backed by Sony Music Publishing?

    IMRO (Irish Music Rights Organisation) is involved with BeatStars Publishing primarily to assist creators who do not already have a Performing Rights Organization (PRO) affiliation. Here’s how IMRO fits into the BeatStars Publishing ecosystem:

    • IPI Number and PRO Affiliation: BeatStars has partnered with IMRO to provide new members with an IPI (Interested Party Information) number and PRO affiliation for free. This is essential for managing publishing rights and collecting royalties. If you don’t already have a PRO, you can sign up with IMRO during the BeatStars Publishing onboarding process.
    • Global Royalty Collection: Once registered, IMRO acts as the default PRO for users without one, ensuring their works are represented globally. BeatStars Publishing then registers the creator’s works with Sony Music Publishing and other collection societies worldwide, streamlining royalty collection and administration.
    • Flexibility: If you already have a PRO (like ASCAP, BMI, or SESAC in the U.S.), you can use your existing affiliation instead of IMRO. However, IMRO’s partnership simplifies the process for those starting out without prior PRO membership.

    In summary, IMRO facilitates PRO registration for creators new to publishing, while BeatStars Publishing—backed by Sony Music Publishing—handles global administration and royalty collection.

  • ISRC vs ISWC: What They Are and Why You Have One but Not the Other

    ISRC vs ISWC: What They Are and Why You Have One but Not the Other
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    I distribute through Distrokid. I have an ISRC. I seem to not have ISWC. What is it? Is it normal to not have it?

    ISRC: What You Have

    • ISRC (International Standard Recording Code):
      This is a unique code that identifies a particular recording (the audio file or track) of a song. Every time a song is recorded, be it a studio version, live performance, cover, or remix, it receives a new ISRC.
    • Music distributors and ISRCs:
      Music distributors, like Distrokid, automatically assigns an ISRC to each track you upload. This is essential for tracking streams, sales, and ensuring artists get paid for each specific recording.

    ISWC: What You Don’t Have (Yet)

    • ISWC (International Standard Musical Work Code):
      This is a unique, permanent code that identifies the composition itself, the underlying music and/or lyrics, regardless of who records or performs it. Each song as a composition gets one ISWC, no matter how many different versions or recordings exist.
    • How ISWC is Different:
      • Tracks the writing and publishing of a song (not the recording).
      • Used by publishers and collecting societies to ensure songwriters and composers receive royalties for their work, regardless of who performs it.

    Why You Don’t Have an ISWC (Through Music Distributors)

    • Normal for Distributors:
      Distributors like DistroKid assign ISRCs only. They do not assign ISWCs.
    • How to Get an ISWC:
      You only receive an ISWC when you register your composition with a Performing Rights Organization (PRO) like ASCAP, BMI, SESAC (in the US), IMRO, or similar organizations internationally. After registration, your song as a composition is issued an ISWC.
    • Distribution Without ISWC:
      It’s normal to distribute music without an ISWC if you haven’t yet registered the composition with a PRO. The lack of an ISWC does not prevent distribution or streaming of your track, but it can delay proper royalty payouts for songwriting and publishing if your works aren’t registered.

    Summary Table

    CodeWhat It TracksHow You Get ItAssigned ByNeeded For
    ISRCAn individual recordingUpload through distributor (e.g., DistroKid)DistributorStreaming, sales, recording royalties
    ISWCThe musical compositionRegister song with your PROYour PRO (ASCAP, BMI, SESAC, IMRO, etc.)Songwriting/publishing royalties

    What To Do Next

    • If you want to collect all possible royalties:
      • Register as a songwriter/composer with a PRO.
      • Register your songs with the PRO so they’re assigned an ISWC.
    • If you’re only releasing tracks as an artist (not the songwriter):
      • Having just an ISRC is usually sufficient for performer and artist royalties.

    Key Takeaway

    It is completely normal to have an ISRC but not an ISWC solely through music distributors. To get an ISWC, you need to register your composition with a PRO. The ISWC represents your song as a piece of intellectual property, not as an audio recording.

  • BeatStars Publishing and IMRO: A Robust Partnership in Music Copyrights

    BeatStars Publishing and IMRO: A Robust Partnership in Music Copyrights

    The music industry is ever-evolving, but the management of copyrights remains one of its core elements. Playing pivotal roles in this landscape are BeatStars Publishing and IMRO (Irish Music Rights Organisation). These two organizations have partnered to ensure that songwriters receive their fair dues.

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